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BATEAUX
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FEUX
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JARDINS EN HIVER
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VILLES EFFONDRÉES
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In
2003, after years of private, intimate creativity, Caty Pech made
the decision to devote herself to painting and to display her works.
Daughter of the painter Eugène
Pech, of whom she was the most representative student, she grew up in
an extraordinary universe, filled with images, with echos, with music
and with silence, and was surrounded with the
mystery of artistic creation, an intense fascination.
However, although never entirely leaving the world of painting, Caty
Pech wanted to explore different paths. It took the death of her father
in 1991 for her to again take up her paint brushes, and to separate
herself
little by little from the forms of expression that had been hers over
the years, but without being fully satisfying (writing, photography,
drawing, sculpture, illustration...).
She started in a very figurative style, in her "Imageries" series, but
in 2003, the pure confrontation with the medium became a more and
more pressing need. She found, using acrylic paints on wood and paper,
and in a style now totally abstract, the way to express her interior
world.
In this peripatetic quest for harmonhy and equilibrium, the cohesion
that creates the markedly individual world of Caty Pech,
born of the energy of gesture - sometimes of its violence - of
transparencies and lightness, of purity of line, as
well as from a palette always discrete, always soft and welcoming.
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